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Midas Venice 320 - 24mono 4 stereo

 

 

 

 

Venice is Midas' first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area.

As usual, Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use.

 

Midas Venice 320 Specifications

 

Features and Specifications

Inputs (total)

46

Mono-Inputs (Mic/Line) with Inserts

24

Stereo-Line/Mono-Mic-Input Channels

4/4

Stereo-Effect-Returns (Line)

4

Stereo-Tape-Return (Line)

1 left/right

 

 

 

Busses

15

 

Subgroups

4

 

Aux Pre-Fader (Monitor)

2

 

Aux Post-Fader (Effects)

2

 

Aux switchable Pre/Post-Fader

2

 

Master L/R

2

 

Mono-PFL

1

 

Stereo-AFL

2

 

 

 

Outputs

 

 

Subgroups (with Inserts)

4 impedance balanced 1/4 inch jacks

Aux Pre-Fader (Monitor)

2 XLR (balanced)

Aux Post-Fader (Effects)

2 impedance balanced 1/4 inch jacks

Aux switchable Pre/Post-Fader

2 XLR (balanced)

Master (with Inserts)

2 XLR (balanced)

Master B Out
(switchable Mono/Stereo, pre-post Fader)

2 XLR (balanced)

Tape Send (Recording)

1 Stereo (Phono)

Direct Outputs (1/4 inch Jack)

24

Stereo-Headphones

2 Stereo-1/4 inch jack

Stereo-Speakers

2 impedance balanced 1/4 inch jacks

 

 

 

 

Size (mm/inch)

 

 

 

Width

906 / 35.7

Depth

568 / 22.4

Heights

194 / 7.6

 

 

Weight (kg/lbs)

25,8 / 56.9

 

 

Power Consumption

120W

 

 

 

 

Mains Voltage

110V/120V/220V/230V/240V, 50-60Hz

 

 

 

 

Additional Features

 

 

 

Connector for desk lamps

2 x 12V/5W (4-Pin XLR)

19-rack-mounting- kit

yes

Rotatable connector panel

yes

External Power Supply (EPS 1200, not included)

yes

 

 

 

 

Accesories

 

 

 


 

Dust Cover (included)

 

 

 

12 V Desk Lamps

 

 

 

Input Transformer (not included)

 

 

Venice Technical Specifications

 

 

Input Impedance

Mic

2k Balanced

 

Line

20k Balanced

 

 

 

Input Gain

Mic

Continuously variable from
0dB to + 60dB

 

Line Mono Channel

Continuously variable from
- 20dB to + 40dB

 

Line Stereo Channel

Continuously variable from
- 20dB to + 20dB

 

Line Level Inputs

0dB

 

 

 

Maximum Input Level

Mic

+ 22dBu

 

Line Level Inputs

+ 22dBu

 

Line Mono Channel

+ 42dBu

 

Line Stereo Channel

+ 28dBu

 

 

 

CMR at 100Hz

Mic (gain + 40dB)

Typ. 75dB

CMR at 1kHz

Mic (gain + 40dB)

> 85dB

 

Line

> 45dB

 

 

 

Frequency Response (20 to 20kHz)
(gain + 60dB)

Mic to Mix

+ 0dB to - 1dB

 

 

 

Noise (20 to 20kHz)
(gain + 60dB)

Mic EIN ref. 150ohms

- 129dBu

 

 

 

System Noise (20 to 20kHz)

 

 

 

Summing Noise
(16 channels routed with faders down)

- 90dBu

 

 

 

 

Line to Mix Noise
(16 channels routed at 0dB, pan centre)

- 86dBu

 

 

 

Distortion at 1kHz

Mic to Insert (+ 30dB gain, + 20dBu output)

Typ 0.0007%

 

 

 

 

Mic to Mix (+30dB gain, + 20dBu output)

< 0.009%

 

 

 

Crosstalk at 1kHz

Channel to Channel

< - 80dB

 

Mix to Mix

< - 80dB

 

Channel to Mix

< - 80dB

 

Fader Attenuation

> 100dB

 

Switch Rejection

> 100dB

 

 

 

Output Impedance

All Line Outputs

75 Ohms Balanced Source

 

Headphones

To drive 32ohms

 

 

 

Maximum Output Level

Master Outputs on XLR

+ 25dBu

 

All other Outputs on XLR

+ 22dBu

 

All Outputs on 1/4 inch jacks

+ 22dBu

 

Headphones

+ 22dBu/600ohms

 

 

 

Nominal Signal Level

Mic

- 60dBu to 0 dBu

 

Line

0dBu

 

 

 

Equaliser Mono Channel

Hi Pass Slope

12dB / Oct

 

Hi Pass Frequency

80Hz

 

 

 

 

Treble Gain

Continuously variable
+ 15 dB to - 15 dB
Centre detent = 0dB

 

 

 

 

Treble Frequency

12k

 

 

 

 

Hi Mid Gain

Continuously variable
+ 15 dB to - 15 dB
Centre detent = 0dB

 

 

 

 

Hi Mid Frequency

Continuously variable
Centre from 400Hz to 8k
Hi Mid Bandwidth 1 Oct. (Q = 1.4)

 

 

 

 

Lo Mid Gain

Continuously variable
+ 15 dB to - 15 dB
Centre detent = 0dB

 

 

 

 

Lo Mid Frequency

Continuously variable
Centre from 100Hz to 2k

 

 

 

 

Lo Mid Bandwith

1 Oct. (Q = 1.4)

 

 

 

 

Bass Gain

Continuously variable
+ 15 dB to - 15 dB
Centre detent = 0dB

 

 

 

 

Bass Shelving Frequency

80Hz

 

 

 

Equaliser Stereo Channel

Hi Pass Slope

12dB / Oct

 

Hi Pass Frequency

80Hz

 

 

 

 

Treble Gain

Continuously variable
+ 15 dB to - 15 dB
Centre detent = 0dB

 

 

 

 

Treble Frequency

12k

 

 

 

 

Hi Mid Gain

Continuously variable
+ 15 dB to - 15 dB
Centre detent = 0dB

 

 

 

 

Hi Mid Frequency

3k

 

 

 

 

Hi Mid Bandwidth

1.4 Oct. (Q = 1)

 

 

 

 

Lo Mid Gain

Continuously variable
+ 15 dB to - 15 dB
Centre detent = 0dB

 

 

 

 

Lo Mid Frequency

300Hz

 

 

 

 

Lo Mid Bandwidth

1.4 Oct. (Q = 1)

 

 

 

 

Bass Gain

Continuously variable
+ 15 dB to - 15 dB
Centre detent = 0dB

 

 

 

 

Bass Shelving Frequency

80Hz

 

 

 

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